Hessian, satin, river silt, soil, spirulina, iron oxide, peat, silk thread, heather, horseshoe, salmon nursery stones.
‘Tilleadh Don Ghleann' emerged from the remains of an ancestral site as a living landscape of Scottish heather and hessian. The installation included a naturally dyed tapestry, hand-stitched with old place names like Todd Holes and the gravel pit in Ogham (an early Celtic writing system). I reinterpreted the flat topographies of a 1910 ordinance survey map of Glen Clova, redrawing borders and water networks that have disappeared or eroded.
